Pete Allen Newsletter May 2023
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APPJAG is submitting evidence to the inquiry to ensure that musicians and composers achieve equitable payment for their music and to ensure a level playing field through regulation will enable ethical business models to become the norm. Summary The dominant organisations are the likes of Spotify, Apple Music and Amazon Music. They are effectively a…
2018 All Party Parliamentary Jazz Awards Nominations Announced The nominations have today been announced for the 2018 ParliamentaryJazz Awards, Britain’s premier awards for the jazz loving public and fans of the music from both Houses of Parliament. The nominees include a broad array of jazz talent from the UK jazz scene. Supported by PizzaExpress Live…
The Knowledge. Jazz by John Fordham was published by Quadrille on the 2nd July and is priced at £10. The book is one of a series of information-led pocket guides with the purpose of introducing a range of subjects ranging from Red wine to Opera via Whiskey and Stargazing. See www.quadrille.co.uk Since 1978 John Fordham…
The Arts Council has recently published funding for the four year national portfolio organisations. The Arts Council’s method of funding the arts in England is fatally flawed. The problem is that the funding decisions are not informed by a coherent art form policy that would hold the Arts Council to account. Further more the Arts…
The Arts Council has launched a new ten year strategy which they say is not dreamed up by a bunch of bureaucrats sitting in a room on their own – well tough, as this is what it reads like, out of touch and given the current resources probably unachievable. Musicians, dancer, painters, poets, writer, singers…
Charlotte Higgins in her article, “After the war the arts came back stronger” had a self-prophesying ring about it (Please see article here). Ms Higgins erroneously says that the war was the last time cultural organisations ground to a halt. The Arts Council developed from the Council for the Encouragement of Music and the Arts (CEMA)…
Thomas ‘Spats’ Langham was born in 1971 and spent his childhood in Buxton. He started Ukulele as soon as his fingers were big enough, inspired by his Grandfather, and turned to Banjo at the age of 10. At 14 he was appearing with the Hot Spa Stompers, and soon after with Ged Hones Dixie Boys. It was Ged who encouraged Spats to start guitar. He moved to the Cotswolds in 1992 to join the Charleston Chasers (where he first met and worked with Malcolm Sked). Since then he has worked as a professional musician, travelled the four corners of the globe, and has been lucky to play with many great artists and bands.